Poetry as Mirror - Winter 2008
Editor’s Notes
an interview with Jim Nason
poetry by Jim Nason
the argument
the fist of remembering
this is the good flaw of flesh, seed and taste of sea on the roof of my mouth
consumed by fire in april,
we made love standing
narcissus unfolding
what I didn’t tell the insurance agent
sycamore
essay by Tanis MacDonald
blazon: a fugue on poetry and the body
formally speaking by Maurice Mierau
an interview with Jan Conn
poetry by Jan Conn
trop de vert
mountain of mist and cloud
serra do curicuriari
small pink nebulae
urospatha sagittifolia
amazonian whites
the clipped language of mathematics
poetry by John Barton
reflection
poetry by J.R. Léveillé
avoir lieu
poetry by Kay Weber
some functions of a canoe
notes from the physical world
poetry by Julian Gobert
escalator ride with a poet
poetry by Garry Morse
untitled
poetry by Stephen Rowe
driving the 330 from gander
poetry by Pamela Garvey
interview with a mother of plaza de mayo, argentina
poetry by Dina E. Cox
diagnosis
poetry by Linda King
inclination
escape route
poetry by Traci O Conner
at my husband’s graveside
when you wanted him dead
poetry by William Buchan
labourer
poetry by Bren Simmers
shown on this map
poetry by Mark Sanders
the evening news
poetry by Mathew Martin
aesthetic distance
a quiet neighbourhood
poetry by Sonja Greckol
bits fall off
how to write a poem of advice
on the arts of seduction
poetry by Tom Wayman
companion
poetry by Peter Austin
aster
poetry by Anna Swanson
pass creek tower: arriving
present temperature
time to go
poetry by Rebekah Verdone
as for grieving
poetry by Nora Gould
he’ll jerk his slack
the pathologist
poetry by Brian Scott Dundas
porcupines
chatting up a patient in the neonatal unit
poetry by Nikolijne Troubetzkoy
on want
on being alone
poetry by Marshall Bood
burn
butts and coffee
poetry by Tim Prior
leaving
poetry by Sandra Lambert
mid-life
fleshy mystery
tulips
healing
poetry by Robert Gore
the ghostline
outside
poetry by Madhur Anand
buddha in the foreground
poetry by Ruth Roach Pierson
insufficiently consequential
Review by John Cunningham: Vermeer’s Light by George Bowering
Contemporary Verse 2: The Canadian Journal of Poetry and Critical Writing
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