Keep It Dark

Who are the goddesses who fell in love

with each other? Which ones were punished

or celebrated with star-dom—captives

flung into the sky to cast nets of light

across the inner surface of our nightdome?

Go ask Alice B, ask bell or Djuna,

Frances & Florence. Or just listen

 

to those goddesses on the windowsill,

boasting about their skill with potions,

flaunting their transformations & fierce lineages,

family troubles as vengeful as Medea’s.

Here’s the nymph Callisto, who welcomed

Diana’s embraces without knowing

it was really Zeus taking the goddess’s form

 

to enter her, break her vow. How to

punish her for the pregnancy?

Turn her into Ursa Major.

But is it forcing things to say

she preferred Diana to Zeus?

We’re always searching in galleries

& history & literature for women

 

like ourselves. Keep it dark, wrote

the anonymous photographer

to the grinning women in suits & ties

whom she titled the “The Queer Quartette.”

1930s, two couples at dinner in a resort,

the Laurentians, say, or the Adirondacks.

Even on a moonless night, Callisto

knows their names. 

Published online July 15 2015.

Note: U.S. poet Joanne Kyger to interviewer Paul Watsky: “Robert Duncan and the San Francisco poets used Greek mythology a lot. They talked about the gods and goddesses as if they were sitting there on the windowsill all the time...” (Jung Journal: Culture & Psyche 7:3, Summer 2013).

Maureen Hynes is a past winner of the League of Canadian Poets’ Gerald Lampert Prize for her first book of poetry, Rough Skin. Her third poetry book, Marrow, Willow, was released by Pedlar Press in 2011, and another is forthcoming from Pedlar in 2015. Her work has appeared in over 20 anthologies and numerous journals. Maureen is the poetry editor for Our Times magazine. 


The Poetics of Queer cover image

This piece was published in ‘The Poetics of Queer,’ the Summer 2015 issue of CV2.

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