Find out how writers think
Recent interviews
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An Interview with Di Brandt
Interviewed by CV2
CV2: How can technology, which seems to so many writers and poets to be the antithesis to the natural creative process, and therefore viewed by many to be a kind of “art on steroids,” be the means to more effective poetics?
Di Brandt: As I said, I think the electronic media need poetry more than poetry needs the electronic media. They are the most powerful mode of public communication in our time and ...
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An Interview with Kitty Lewis and Barry Dempster of Brick Books
Interviewed by Sharon Caseburg
Sharon Caseburg: Brick must receive a considerable number of unsolicited poetry manuscripts each year. What process must a writer go through in order to be considered and ultimately published by Brick Books?
Barry Dempster: We receive over 110 manuscripts a year and, as senior editor, I give every one of these serious consideration. Those that stand out go on to a second stage, which sometimes includes ...
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An Interview with Alison Pick
Interviewed by A. J. Levin
A. J. Levin: You seem to have started off as a poet and moved to fiction. Did you always write both, or did one come first?
Alison Pick: Originally I wrote neither. Although I loved to write as a kid, and wish that I still had a copy of a novel I started in a Hilroy notebook in Grade 2 (evil twins: how original), it never occurred to me to pursue writing as a vocation until my final year of ...
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An Interview with Daniel David Moses
Interviewed by Joanne Arnott
Joanne Arnott: With your permission, Daniel: I find my questions are all about the inside of your writing life, so I’ll start off there, and work toward the outer manifestations as we go. How does it feel to be Daniel David Moses writing a poem? Can you describe the sensations, a usual way or flow, share an image of yourself writing a poem?
Daniel David Moses: This image of working on poetry comes from ...
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An interview with Poor Tree
Interviewed by CV2
CV2: Describe a typical performance of Poor Tree. Obviously each one is different, but how do you approach each performance?
Dana Landry: Well, we tend to spend a little bit of time together beforehand. And just get into a sense of what everyone’s rhythm is so we can come to the performance having a sense of each other and where we’re at. It’s interesting because, when we get up there, as much as that ...
