Find out how writers think
Clarise Foster: How does a piece of poetry/art take root for you creatively? And how might you begin to work on a piece, does it most often begin as/with text?
a rawlings: Relationship. With land, self, friend, language. I’ve been running in counter-clockwise circles on North Atlantic foreshores. To make contact with. To land as in to arrive as in to touch. Down. Deeper, farther, under. To under ...
An interview with Jeramy Dodds
CLARISE FOSTER: One the first official acts of the initial Icelandic immigrants when they arrived in New Iceland, a reserve on the southwest shores of Lake Winnipeg, in 1875 was to name their first town site Gimli—a place described in your recent translation of the Poetic Edda as the ever-after paradise of the gods. After fleeing extremely harsh environmental and economic conditions in Iceland, ...
An Interview with Michael Prior
Hannah Green: Jen Sookfong Lee recently wrote a powerful essay* about the state of CanLit. She writes that “CanLit has always been heavily weighted to a certain kind of author writing a certain kind of narrative” and “CanLit has never been about the diversity of voices.” Your work doesn’t fit into the “certain type of narrative” Sookfong Lee describes as being popular in CanLit, and your voice is ...
From the North of a Small Town to the North of Toronto
Sarah Pinder, author of Cutting Room (Coach House, 2012) and Common Place (Coach House, 2017) was born in 1983 in Sault Ste. Marie and grew up in Wawa and Sault Ste. Marie. Mat Laporte, author of RATS NEST (BookThug, 2016), was born in 1984 and grew up in Sault Ste. Marie. They didn’t meet and become friends until 2012 when they both lived in Toronto. There they collaborated on various projects ...
Poetry, Politics and Poor Choices: An Interview with George Murray
Hannah Green: What are you working on right now? Do you have another poetry collection slow-cooking in your head?
George Murray: I have a second book of aphorisms called QUICK coming in spring 2017. Other than that, I’m working on poems and a lingering, sickly novel.
HG: Oooh, a novel! What’s it like for you moving from poetry to prose?
GM: I started my writing life as a prose writer and ...
An Interview with Sue Goyette
Hannah Green: It sounds like myth and poetry are perhaps more closely related than I had thought. They certainly do perform in the same way—as a means of understanding. You mention you are inspired to create new myths. I find that so interesting! Would you like to share what myths you have created and what the impact has been?
Sue Goyette: I think one of the ways poetry is so vital and, by ...
In Conversation with Ray Hsu: A Collaborative discourse
Clarise Foster: Do you think that part of the problem with publishing a collaboration like the Nepotists might be that within writing and publishing circles, there seems to be an understanding of collaboration as two or more people who bring their talents and skills together to create a project. Whereas with a collaborative work like yours, there is an understanding of project as the constraint ...
Plenitude: Your Queer Literary Magazine: An Interview with Andrea Routley and Matthew Walsh
Clarise Foster: What was the original vision for the magazine? The first issue of Plenitude, I believe, was launched in 2012? It publishes biannually and so it would now be into its third year. How is it going? Have your initial expectations for Plenitude changed in that time? If so, how?
Andrea Routley: I really didn’t know what to expect when I began. In the beginning, I did not want to offer ...
Trajectory & Trace: An Interview with Sina Queyras
Tanis MacDonald: I saw on Facebook that the editor of Poetry, Don Share, posted a photo of you at the podium in Chicago, where you had gone to give the inaugural reading at the 24th annual International Virginia Woolf Conference in June of this year. It was the caption above the photo that caught my eye: “I’m happy to answer questions, interrogation, accusations…” Did you say this and what was ...
An Interview with Molly Peacock
Jason Guriel: Do you read much contemporary poetry these days? Who are some of your favourite younger poets?
Molly Peacock: I do, indeed. Here’s a random list of some younger or emerging poets who always interest me: from the U.S.: Rebecca Wolff, Amber Flora Thomas, Jonathan Weinert, Alessandra Lynch, Richard Newman, Andrea Carter Brown, and Amy Clark. In Canada: Sonnet L’Abbe, Jake Mooney, ...